The simple fabric still-life study got me in the studio and working, and after an hour or so I spent the remainder of the day working on my bigger piece, Quilted Lake.
I don’t know if you realized, but I went missing for a few weeks! I had my brother-in-law and his new wife visit us in the middle of their Southwest USA Road trip extraordinaire! We enjoyed dining on a balcony overlooking the plaza in Santa Fe while a mariachi band played and people strolled with dogs and lazed with family on the grass. We then drove south to Cloudcroft, New Mexico where we camped for two days in the wooded mountains. A day trip to White Sands National Monument provided many beautiful photographs and I came home inspired anew.
Back at home I struggled to get myself back in the studio. It is so easy when one is sans-structure to find a million other things to keep oneself busy. Cleaning, cooking, and recovering from a five-day bout of poison ivy or poison oak or poison something (argh!!) filled my time.
I finally realized that it was the big half-finished canvas that was keeping me out of the studio (see Quilted Lake post). A project of that kind is daunting to me and can freeze me up if not completed within a few days of commencing. It’s not that I don’t want to be painting, it’s just hard to find that freshness that the work had in the beginning.
I did some research on the web and discovered there is a term for the way I like to paint. “alla prima”:
Wet-on-wet, or alla prima (Italian, meaning at first attempt), is a painting technique, used mostly in oil painting in which layers of wet paint are applied to previous layers of wet paint. This technique requires a fast way of working, because the work has to be finished before the first layers have dried. It may also be referred to as ‘direct painting’ or the French term au premier coup (at first stroke).
Thank you Wikipedia.
I know you’re probably shaking your head at me because someone who did a Bachelor of Fine Arts should really have already been familiar with the term, but somehow I missed that one… whoops.
Anyway, learning this term somehow brought validity to my preferred painting habits and I’ve plotted a way to keep myself painting, and ENJOYING painting in the near future.
In terms of today’s work, I feel that my recent traveling and sight-seeing has informed my painting and that the landscape is finding its way into my small world in the studio.
That’s all I’m going to say for now and before I sign off I will give you the option of seeing images of:
a) the gorgeous desert area in Southwestern NM called White Sands
b) the evils of poisonous plants
c) today’s painting progress
JUST KIDDING! I’ll pick for you and I’m picking “a” and “c”. Count yourself lucky.
Today I re-covered the cushion for the cart bench. The cart has already been re-painted and the new removable cushion cover now matches my new scheme (which you will see soon).
This is the lovely sunny room I was working in:
And this was my view most of the day:
Thank you to Lauren for all her help measuring and scheming.
With fewer posts up the past few weeks you’re probably wondering what I’ve been up to. As the sole juror to an upcoming exhibition: Simulare Vitae, Student Juried Exhibition which will be on display from November 1st to December 2nd at Runnels Gallery, I’ve been quite busy going through submissions! With over one hundred entries it’s been quite a difficult decision-making process.
I will remind you closer to the date but just so you know, the reception and awards ceremony for Simulare Vitae is Friday, Dec. 2, 5–6:30 p.m.
In other news I’ve put that new sewing room to good use recently and made my first bag: